This article discusses the main reasons for the development, preservation and continuity of Kazakh art in the new era in the framework of the project «Performing Art of Kazakhstan: National Style, Traditions and Role in the Transformation of Society» AP №05135997 according to the program of the First President of the Republic of Kazakhstan N. Nazarbayev «Rukhani Zhangyru: a look into future» and Seven faces of the Great Steppe. It also analyzes the continuity of those few qualities that are transmitted to one of our great ancestors. The prerequisites for the continuation of such values are characterized by the fact that they begin with family education, towards societies, in the field of artistic skills, in communication with experts in this field and in their quest for self-determination. Kuyshi Edige Nabiyev, who has similar syncretic properties in traditional art, is considered a model, and the authors propagate issues of continuity, reproduction and development in this area.

The article is intended for art historians, scientific researchers of traditional art, undergraduates and students.